Showing posts with label Indianapolis. Show all posts
Showing posts with label Indianapolis. Show all posts

Thursday, August 15, 2013

The Columbia Club, Indianapolis, IN

The Columbia Club, Indianapolis, IN. 1889
Photo from Indianapolis Illustrated
The Columbia Club building was located on Monument Circle in Indianapolis. Though not strictly a residential building, it has a residential styling that is unique. According to Historic Indianapolis it was erected in 1889 and replaced in 1898, after only a few years. It's not surprising that this resembles a house; clubs like the Union League in Philadelphia often emulated residential design, perhaps because so many of them were headquartered in former mansions. Although the building may have been built in 1889, its styling looks more like a product of the late 1870s or early 1880s. This retardaire design might be a testament to the conservativism of the club members and their aesthetics. Even so, the design is grand and dripping with exuberance. The club did not follow a typical plan, although it resembles a side hall house. The first floor is set off from the second by rustication or deep grooves between stonework. In addition the first and fourth bays are differentiated by slight projections and pilasters, making it seem more palace like than might be expected and giving it a European flair. While the first floor is somewhat soberly designed with its arched windows, the second floor is a fabulously ornamented design with segmental arched windows with eared moldings that have cornices above them with carved ornament overflowing above and below to suggest brackets and pediment. Further carved classical panels of swirling acanthus leaves above and below the windows give the club an added Renaissance flair, as do the Corinthian pilasters, also with carved ornament. The cornice is Anglo-Italianate in design with typic rotated s-curve brackets. Although the Renaissance stylings and cornice do suggest Anglo-Italianate, the lack of sobriety in design makes it less of a rigid example of the style. There appears to be a side porch of two stories, with pilasters and arched windows. There is bunting crisscrossing the facade, no doubt for some signifigant event, probably political. Overall an impressive and unique clubhouse for the 19th century man.

Wednesday, August 14, 2013

The Lewis W. Hasselman House, Indianapolis, IN

The Lewis W. Hasselman House, Indianapolis, IN. 1865
 
The above photos are from the publications Indianapolis Illustrated
and Art Works of Indianapolis.
The Lewis W. Hasselman house stood on Indianapolis' fashionable North Meridian Street until the 1920s when it was razed for the Indianapolis Athletic Club. The house was built in the 1865 for Hasselman, a manufacturer of steam engines and mill parts. The designer was Francis Costigan, basically Indiana's answer to Connecticut's Henry Austin, whose Lanier house is probably one of the country's best Greek Revivals. This is one of his only Italianate designs and is a showstopper. It is a symmetrical plan house, although the flanking bays have protruding two story bay windows, a very grand statement indeed. It was faced in limestone. The house has a variety of unique features that made it an important example of Italianate. The first floor features an impressive door surround with Corinthian columns and a pediment that is broken around the arch of the door frame, hearkening back to Georgian design. The triangular pediment is broken is the center by a curve, an interesting reinterpretation of a traditional form. The flanking bay windows, as all the windows on the house are arched with thick hood moldings enriched with carved foliage. The central window on the bay has Venetian tracery, but the space that would have featured the circular element has been filled with carving, as have the areas beneath the window. The hood molding on the central window of the first floor bays has a swoop of molding that comes to a carved finial, a reminiscence of Gothic architecture. This window design is repeated in the central window above the door. This level of carving is similar to the work on the Backus house and must have been a statement of the owner's wealth and ability to afford such expensive rococo carvings.

Although the second story windows are plainer, an interesting profusion of brackets underlie their sills. The third floor is where things get really strange, with pairs or round windows that are connected by carved rosettes and have ribbons and strapwork extending from the sides. This feature is particularly unique to this house and shows a real originality in design. It almost looks like fancy portholes on a yacht. The cornice is not particularly complex, but the same richness of carving adorns it; the brackets feature carved garlands, s curves, and incised designs. The originality of the design continues to the octagonal cupola, which repeats the cornice stylings and seems to have windows with angled tops. The whole is capped by a finial that resembles an acorn. In every way, the Hasselman house exemplifies high style Italianate design that was not Anglo-Italianate but American in inspiration. It is similar to some of the zany and experimental designs found in Detroit's lost mansions. The style of this house seems to be related to another Costigan work, the Odd Fellows' Building in Indianapolis with its ornate carved detailing and bay windows. An Italiante carriage house can be seen in the background. A lovely work, it's a shame this house is gone.